Publication Date
Spring 4-29-2022
Abstract
During the 1600s, the modern violin traveled from Italy to the British Isles and North America. The instrument became a vital piece of each region's musical culture, and distinct fiddling traditions became established in Ireland, Scotland, Cape Breton, and America. This thesis explores the history of the Irish, Scottish, Cape Breton, Appalachian, and bluegrass fiddling traditions. Additionally, the performance practices of each style are discussed in depth and are related back to the traditional tunes recorded as a part of this project.
Major Mentor
Ryan Joseph
Second Mentor
Lina Sheahan
Department
Music, School of
College
Music and Performing Arts, College of
Document Type
Thesis
Degree
Master of Music (MM)
Degree Level
Master's
Degree Grantor
Belmont University
02. Morrison's Jig , The Rights Of Man.mp3 (6461 kB)
03. Niel Gow's Wife , Dusky Meadow.mp3 (6731 kB)
04. Blackberry Blossom.mp3 (9593 kB)
05. Wheel Hoss.mp3 (7541 kB)
06. Wild Fiddler's Rag.mp3 (5024 kB)
07. Dreamer's Waltz.mp3 (8573 kB)
08. Arkansas Traveler , 8th Of January.mp3 (6155 kB)
Recommended Citation
Eyink, Anna N., "Exploring the Regional Traditions of Fiddling" (2022). Music Theses. 9.
https://repository.belmont.edu/music_theses/9
Included in
Appalachian Studies Commons, Celtic Studies Commons, Music Performance Commons, Other American Studies Commons
