Publication Date
Fall 12-6-2022
Abstract
This thesis analyzes Allan Holdsworth's improvisational style for the purpose of applying his techniques, such as string skipping and omnidirectional fretboard movement, beyond the jazz-rock idiom and expanding the melodic potential of the guitar.
Major Mentor
Dr. Paulo Oliveira, D.M.A
Second Mentor
Dr. Terry Klefstad, Ph.D.
Department
Music, School of
College
Music and Performing Arts, College of
Document Type
Thesis
Degree
Master of Music (MM)
Degree Level
Master's
Degree Grantor
Belmont University
Recommended Citation
DaSilva, James, "An Analysis of Allan Holdsworth’s Techniques and Their Application to Fundamental Melodic Devices" (2022). Recital Papers. 35.
https://repository.belmont.edu/music_recitals/35
Included in
Music Education Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, Music Theory Commons, Other Music Commons
