Composition/Recording Projects

Publication Date

Spring 5-14-2026

Abstract

This recording project paper explores the intersection between Christian theology and secular popular music through a practice-led investigation into how faith-informed themes can be communicated authentically within mainstream musical contexts. Drawing on scholarship surrounding Contemporary Christian Music (CCM), popular music studies, authenticity, and lament theology, this study examines how Christian ideas emerge within secular music through both explicit and implicit forms of expression. Case studies include Carrie Underwood’s “Jesus, Take the Wheel,” Selena Gomez’s “Nobody,” Lauren Daigle’s “You Say,” and U2’s “I Still Haven’t Found What I’m Looking For,” each representing different approaches to integrating spirituality into mainstream culture. Through musical, lyrical, cultural, and production analysis, this project considers how themes such as devotion, doubt, longing, redemption, and lament function within contemporary popular music. These findings inform the creation of an original composition that incorporates implicit theological language, contemporary pop production, and the emotional honesty of biblical lament in order to engage both Christian and secular audiences. Ultimately, this study argues that authentic, emotionally resonant expressions of faith within secular musical frameworks can create meaningful opportunities for spiritual reflection, cultural engagement, and renewed perceptions of Christianity in contemporary society.

Major Mentor

James Wigginton

Second Mentor

Lena Sheahan

Third Mentor

Jeremy Lane

Department

Music, School of

College

Music and Performing Arts, College of

Document Type

Thesis

Degree

Master of Music (MM)

Degree Level

Master's

Degree Grantor

Belmont University

Additional Files
Audio Tracks.zip (19993 kB)
Recording project audio tracks referenced in the paper
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