Composition/Recording Projects

Publication Date

Spring 5-1-2026

Abstract

This paper explores the creative and theoretical processes involved in composing the original score and sound design for "Ningxia Yellow River: The Home for the Avian," a wildlife documentary centered on the Ningxia wetlands in China. The research addresses the challenge of creating a "sonic bridge" between silent natural imagery and a human audience by balancing documentary realism with musical persuasion. The methodology utilizes a hybrid scoring approach that integrates Digital Audio Workstation (DAW) orchestration with organic sound elements, guided by three core pillars: cultural semiotics, acoustic ecology, and technical synchronization. By applying traditional Chinese pentatonic modes alongside Western orchestral textures, the score establishes a "mystical and sacred" atmosphere that honors local cultural identity while maintaining cinematic narrative depth. Key compositional techniques analyzed include "Mickey-Mousing" to synchronize music with fast-paced avian movements and a "subtractive" sound design approach to emphasize organic textures like wind and water. The project concludes that a composer serves as an "invisible hand" in nature documentaries, revealing inherent emotions in the natural world through artistic restraint and deep contextual research.

Major Mentor

David McKay, M.M.

Second Mentor

Virginia Lamothe, Ph.D.

Department

Music, School of

College

Music and Performing Arts, College of

Document Type

Thesis

Degree

Master of Music (MM)

Degree Level

Master's

Degree Grantor

Belmont University

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