Publication Date

Spring 5-1-2023

Abstract

This paper focuses on the four French nasal vowels in the mezzo-soprano voice. It clearly states how to pronounce the vowel with and without nasality. The paper displays spectrogram images to compare the resonance between the non-nasal and nasal vowels in different registers. It addresses the need for modification of the vowels in different registers of the mezzo-soprano voice. The paper also describes how to apply the results of the information from the spectrogram images to French pieces. The repertoire includes works by Jules Massenet, Claude Debussy, Maurice Ravel, Isaac Albéniz, Francis Poulenc, and Erik Satie.

Major Mentor

Ted Wylie, D.M.

Second Mentor

Richard Hoffman, Ph.D.

Department

Music, School of

College

Music and Performing Arts, College of

Document Type

Thesis

Degree

Master of Music (MM)

Degree Level

Master's

Degree Grantor

Belmont University

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