Publication Date
Spring 4-27-2023
Abstract
The following are extended program notes for my graduate recital. The purpose of this recital is to showcase the many ways the guitar has been used as the focal point in music. This recital covers music made from 1941 to 2006. This recital aims to exhibit the expression, nuance, and musical charisma the guitar is capable of. To do so, I have chosen nine masters of the guitar and will be playing pieces that exemplify each of their styles and voices on the instrument. Another goal of this recital is to show the many different genres and musical contexts for which the guitar can serve as the instrumental lead. This recital brings together genres such as blues, jazz, folk, classical, and flamenco. As well as displaying the guitar’s ability to lead an ensemble, this recital will show the potential for the guitar as a solo instrument. Lastly, this recital will display the varioustypes of guitars, and the sounds they can create. Electric, acoustic, and nylon string guitars will all be present in this recital.
Major Mentor
Dr. Paulo Oliveira D.M.A.
Second Mentor
Lina Sheahan M.A., M.L.S.
Department
Music, School of
College
Music and Performing Arts, College of
Document Type
Scholarly Project
Degree
Master of Music (MM)
Degree Level
Master's
Degree Grantor
Belmont University
Magic Sams Boogie (Live).mp3 (3371 kB)
Mood for a Day (2008 Remaster).mp3 (4285 kB)
Charlie Christian - Solo Flight.mp3 (3919 kB)
The Very Thought Of You.mp3 (5844 kB)
Freddy King - Funny Bone.mp3 (3576 kB)
John Fahey 11 Dance of Death.mp3 (10760 kB)
You Know What I Mean.mp3 (5757 kB)
Goodbye.mp3 (6545 kB)
Recommended Citation
Perlowski, Stephen R., "An Analysis of Commercial Styles Through The Performances of Guitar Masters" (2023). Recital Papers. 37.
https://repository.belmont.edu/music_recitals/37