Composition/Recording Projects

Publication Date

Spring 4-28-2021

Abstract

This thesis explores how Afro-Latin rhythms came into use in modern jazz, specifically in the work of Maria Schneider and the author. Several Afro-Latin genres are explained theoretically and historically.

Major Mentor

Tony Moreira

Second Mentor

Jeff Kirk

Third Mentor

Peter Lamothe

Department

Music, School of

College

Music and Performing Arts, College of

Document Type

Thesis

Degree

Master of Music (MM)

Degree Level

Master's

Degree Grantor

Belmont University

Included in

Composition Commons

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