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Belmont Humanities Symposium Journal

Abstract

Throughout his life, Dmitri Shostakovich was surrounded by political controversy, and since his death, the ideological debate has continued. The story of his career as a Soviet composer, in and out of favor with the Communist government, and his music, stylistically eclectic and sometimes populist in nature, gives rise to political and often controversial questions: Should an artist submit to governmental policy? Can music express a political message? How do we respond to such music? Ever since the publication of Solomon Volkov’s Testimony in 1979, a book purported to be Shostakovich’s memoir, and its subsequent rebuttal by Laurel Fay in Russian Review, the controversy has intensified.

Keywords

Humanities Symposium

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