1986 Havana Biennial: A Trifecta of Global South Diaspora and The Link of Tragedies
Publication Date
Spring 2025
Presentation Length
15 minutes
College
Watkins College of Art
Department
Art, Department of
Student Level
Undergraduate
SPARK Category
Art
Faculty Advisor
Judy Bullington
Metadata/Fulltext
Metadata ONLY
SPARK Session
3:15-4:15 Art History
Presentation Type
Talk/Oral
Summary
The 1986 Havana Biennial played a pivotal role in reshaping perceptions of contemporary art from the Global South. Showcasing works from artists across Africa, Latin America, and Asia, the exhibition provided a critical platform for underrepresented voices in the art world. By challenging Eurocentric frameworks, the Biennial fostered new dialogues between artists and audiences, redefining how art from these regions is valued and understood. This paper examines the Biennial’s impact on global art discourse, arguing that its legacy continues to influence contemporary exhibition practices and the broader expansion of the art world.
Recommended Citation
Mistry, Amelia S., "1986 Havana Biennial: A Trifecta of Global South Diaspora and The Link of Tragedies" (2025). SPARK Symposium Presentations. 297.
https://repository.belmont.edu/spark_presentations/297
