The following are recital papers submitted by Belmont University graduate students in partial fulfillment of the requirements for their degrees.

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Theses/Dissertations from 2022

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Historical Accuracy in German Lyric Diction: A Study in Era-Appropriate Pronunciation of German in Classical Literature, Annie S. Chapman Ms.

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Women Writing Music: Poets and Composers from Latin America, Kimberly Grez

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Whitman War Poetry Settings by Three Composers, Grady Hayden

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The Evolution of American Musical Drama and its Effects on Modern Soprano Repertoire, Toni Richardson

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Culminating Project: Analysis and Challenges of My Graduate Recital, James Ruffin

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The Modern Keyboardist in Commercial Music, Cooper R. Thompson

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The Modern Jazz Guitarist's Approach to Standard Repertoire, Stephan T. Wieder

Theses/Dissertations from 2021

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Women Composers: A Historical Survey of Their music And Its Validity For Use In The Vocal Studio, Amanda Anderson

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The Impact of Motown Drummers in Popular Music, Estevan A. Barrientez

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The French Flute School: A Flute Curriculum, Jessica Benevento

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Performing with Purpose: Finding Value in Standard Classical Vocal Repertoire as a Twenty-first-century Teacher-performer, Hallie Bisaga

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Melodies of Love: An Exploration of Popular Love Songs and Love Styles According to the Ancient Greeks, Kevin Blackmon

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Enhancing Performance Through Research and Analysis, Sarah Brewer

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An Exploration of Classical Guitar Literature Through the Ages, Sam Burns

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A Teacher's Companion For The Emerging Electric Orchestra, Rachael Greenman

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Soundtrack of a Life: A Musical Narration of a Military Veteran’s Life, Caroline M. Melcher

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An Analysis of Commercial Guitar Styles Through the Study of Notable Los Angeles Session Musicians, Edward Mitchell

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Six Recital Pieces for Percussion, Ross Cody Otis

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The Analysis of Gospel Drumming: Its Influence on Live Performances of Secular Music, Brandon Prigg

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Music and Nationalism: The Complex Relationships of Sibelius, Bach and Shostakovich with their Respective Countries, Deena Rizkalla

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Seven Percussion Compositions, Standard and New, Kramer Reed Sell

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The Rise of the Rock Star, Derik Sibit

Theses/Dissertations from 2020

The Bass Lines Of Paul Simon's Graceland, Charles DeVillers

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The Amalgamation Of Popular Music And Dance: An Exploration Of The Human Impact, Caroline Kasay

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Exploring Literature Through Music: A Graduate Recital Of Nineteenth-And Twentieth- Century Vocal Literature, Emily Kivi

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Four Works For Trumpet: Compositions by: Torelli, La Barbera, Ewazen and Hovhaness, Charles Meggitt

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The Language Of Expression: Solo Violin Through The Ages, Kimberly Rendahl

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Chameleons Of Modern Drumming: Mastering Diverse Commerical Styles, Cameron Simons

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A Musical Analysis of Donald Byrd's Electric Byrd, Eric Snyder