Composition/Recording Projects
The following are production papers/recording projects submitted by Belmont University graduate students in partial fulfillment of the requirements for their degrees
Theses/Dissertations from 2022
Production As Analysis In Commercial Music Recordings, Simeon P. Church
Reborn: The Documentation and Processes of a Fusion Project, Natalie Merrill
Grrrls, Grrrls, Grrrls: Incorporating Feminist Theory Into Punk Rock Composition, Bryan M. Waring
Theses/Dissertations from 2021
Pioneers of the Extended-Range Electric Bass, Owen Ananich
The Art of Incorporating Afro-latin Rhythms in Modern Jazz: In the Style of Maria Schneider, Kristen Janelle
Theses/Dissertations from 2020
Negative Harmony: The Shadow Of Harmonic Polarity On Contemporary Composition Techniques, Debora Haller
A Violist in Nashville: The Viola’s Role in the Nashville Recording Industry, Patrick Monnius
Exploring the Gospel Fusion Arrangements of The Recording Collective, Tyler Williams
