
Composition/Recording Projects
Theses/Dissertations from 2023
Windows Into Jazz, Nicholas T. Bilski
A History of Bass Guitar Effects Pedals: Liner Notes, David Lloyd
Creativity and Organic Songwriting: A Deconstruction of Original Songs, Pramuk Mohanlal-Vargas
The Influence of Strings in Gospel and Contemporary Christian Music: The Role of the Instrument and the Producer, Kelsei Peppars
Creating a Seven-Track Project in Diverse Commercial Styles, Steven Schumann
Theses/Dissertations from 2022
Production As Analysis In Commercial Music Recordings, Simeon P. Church
Reborn: The Documentation and Processes of a Fusion Project, Natalie Merrill
Grrrls, Grrrls, Grrrls: Incorporating Feminist Theory Into Punk Rock Composition, Bryan M. Waring
Cello in Film and Television Music, AnnaStasia M. Yoshida
Theses/Dissertations from 2021
Pioneers of the Extended-Range Electric Bass, Owen Ananich
The Art of Incorporating Afro-latin Rhythms in Modern Jazz: In the Style of Maria Schneider, Kristen Janelle
Theses/Dissertations from 2020
Negative Harmony: The Shadow Of Harmonic Polarity On Contemporary Composition Techniques, Debora Haller
A Violist in Nashville: The Viola’s Role in the Nashville Recording Industry, Patrick Monnius
Exploring the Gospel Fusion Arrangements of The Recording Collective, Tyler Williams