Animated Antiquity: Cartoon Representations of Ancient Greece and Rome

Location

Janet Ayers Academic Center, JAAC 4094

Presentation Type

Presentation

Start Date

20-9-2018 1:00 PM

Description

This presentation will survey a variety of animated features from all over the world, dating from the late 1920s to the present day, that engage with stories and themes from Classical mythology, history and philosophy. After a screening of selected film clips, we will examine how Greco-Roman antiquity came to be a rich source of inspiration to animation producers over the course of the past one hundred years. We will also consider why certain elements of the ancient past resonate and recur in the cartoons produced during this period more than others. Finally, we will reflect on whether these productions render the ancient world more accessible to modern audiences, or whether they further distort and distance them from it. What does the uniquely modern medium of animation, and the representations of Greece and Rome it has engendered, ultimately convey to us about not just the ancient past, but our present understanding of that past?

Comments

Convocation Credit: Society and the Arts and Sciences

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Sep 20th, 1:00 PM

Animated Antiquity: Cartoon Representations of Ancient Greece and Rome

Janet Ayers Academic Center, JAAC 4094

This presentation will survey a variety of animated features from all over the world, dating from the late 1920s to the present day, that engage with stories and themes from Classical mythology, history and philosophy. After a screening of selected film clips, we will examine how Greco-Roman antiquity came to be a rich source of inspiration to animation producers over the course of the past one hundred years. We will also consider why certain elements of the ancient past resonate and recur in the cartoons produced during this period more than others. Finally, we will reflect on whether these productions render the ancient world more accessible to modern audiences, or whether they further distort and distance them from it. What does the uniquely modern medium of animation, and the representations of Greece and Rome it has engendered, ultimately convey to us about not just the ancient past, but our present understanding of that past?