“Interesting Point”: Pulp Fiction, Postmodern Philosophy, and the Fine Art of Disagreement
Location
Frist Lecture Hall (4th Floor IHSB)
Presentation Type
Presentation
Start Date
11-9-2008 7:00 PM
Description
Drawing on Quentin Tarantino’s 1994 film, the philosophical debate between Jean-Francois Lyotard and Jurgen Habermas, and on recent political controversies ranging from the campus culture wars to the Danish Mohammed cartoons, Bérubé will ask how people can find ways to agree to disagree—and will suggest why people should agree to form societies in which such disagreement is possible.
Michael Bérubé is the author of six books to date : Marginal Forces / Cultural Centers: Tolson, Pynchon, and the Politics of the Canon (Cornell University Press, 1992 ); Public Access: Literary Theory and American Cultural Politics (Verso, 1994); Life As We Know It: A Father, A Family, and an Exceptional Child (Pantheon, 1996; paper edition, Vintage, 1998); The Employment of English: Theory, Jobs, and the Future of Literary Studies (New York University Press, 1998); What’s Liberal About the Liberal Arts?: Classroom Politics and “ Bias ” in Higher Education (W. W. Norton, 2006) and Rhetorical Occasions: Essays on Humans and the Humanities (University of North Carolina Press, 2006). He is also the editor of The Aesthetics of Cultural Studies (Blackwell, 2004), and, with Cary Nelson, of Higher Education Under Fire: Politics, Economics, and the Crisis of the Humanities (Routledge, 1995). Bérubé has written over 150 essays for a wide variety of academic journals such as American Quarterly, the Yale Journal of Criticism, Social Text, Modern Fiction Studies, and The Minnesota Review, as well as more popular venues such as Harper’s, the New Yorker, Dissent, The New York Times Magazine, the Washington Post, the Nation, and the Boston Globe. Life As We Know It was a New York Times Notable Book of the Year for 1996 and was chosen as one of the best books of the year (on a list of seven) by Maureen Corrigan of National Public Radio.
Recommended Citation
Berube, Michael, "“Interesting Point”: Pulp Fiction, Postmodern Philosophy, and the Fine Art of Disagreement" (2008). Humanities Symposium. 6.
https://repository.belmont.edu/humanities_symposium/2008/2008/6
“Interesting Point”: Pulp Fiction, Postmodern Philosophy, and the Fine Art of Disagreement
Frist Lecture Hall (4th Floor IHSB)
Drawing on Quentin Tarantino’s 1994 film, the philosophical debate between Jean-Francois Lyotard and Jurgen Habermas, and on recent political controversies ranging from the campus culture wars to the Danish Mohammed cartoons, Bérubé will ask how people can find ways to agree to disagree—and will suggest why people should agree to form societies in which such disagreement is possible.
Michael Bérubé is the author of six books to date : Marginal Forces / Cultural Centers: Tolson, Pynchon, and the Politics of the Canon (Cornell University Press, 1992 ); Public Access: Literary Theory and American Cultural Politics (Verso, 1994); Life As We Know It: A Father, A Family, and an Exceptional Child (Pantheon, 1996; paper edition, Vintage, 1998); The Employment of English: Theory, Jobs, and the Future of Literary Studies (New York University Press, 1998); What’s Liberal About the Liberal Arts?: Classroom Politics and “ Bias ” in Higher Education (W. W. Norton, 2006) and Rhetorical Occasions: Essays on Humans and the Humanities (University of North Carolina Press, 2006). He is also the editor of The Aesthetics of Cultural Studies (Blackwell, 2004), and, with Cary Nelson, of Higher Education Under Fire: Politics, Economics, and the Crisis of the Humanities (Routledge, 1995). Bérubé has written over 150 essays for a wide variety of academic journals such as American Quarterly, the Yale Journal of Criticism, Social Text, Modern Fiction Studies, and The Minnesota Review, as well as more popular venues such as Harper’s, the New Yorker, Dissent, The New York Times Magazine, the Washington Post, the Nation, and the Boston Globe. Life As We Know It was a New York Times Notable Book of the Year for 1996 and was chosen as one of the best books of the year (on a list of seven) by Maureen Corrigan of National Public Radio.
Comments
Convo (AL)